The Mill, along with director Michael Gracey, show the versatility of the new line through the morphing of several women of various shapes and sizes.

VFX Supervisor and Lead 2D Artist Iwan Zwarts explains the project's difficulties: "The challenge was to stitch together five Steadicam shots and make them look like one continuous camera move. We also had to make sure the body positions and mouth movements remained in sync. Fortunately, we came up with some clever mathematic formulas and morphs to help stitch cameras together."

The spot was also edited in-house by Editor Ryan McKenna and color graded by Senior Colorist Fergus McCall.