The Mill’s Creative Director, Tim Davies, worked closely with 2D Lead Artist Andy Dill and Matte Painter Andy Wheater to enhance the daunting cliff. Andy Dill comments, “Before I got into time warping and roto, I tried leaving the main bits in place, but made it look like the floor was just a ledge that the car hit on its way down. Andy Wheater took my temp test and skillfully applied matte painting to change the landscape where the vehicle lands in a fireball of car death.”

The 2D artists added extra fire elements to the massive explosion to further increase the feel of the vertical space, as well as extensive clean-up to remove any signs of civilization to showcase the vast, uninhabited landscape.