Cannons, explosions, miniature horses and fire torches were all part of the challenge in the most ambitious and cinematic installment of the campaign yet.

 
The Mill was involved in all aspects of the post production from supervision of the shoot to the final grade. Head of Nuke Hugo Guerra comments, "we started on set with two days of shooting in London, then moved onto compositing matte paintings, replicating cannons and creating flying radios, smoke and explosions. We also had to remove all 3 of the green suited puppeteers from every shot D-Love appeared in. It was a great privilege and pleasure to work again with Peter & Martin on my 3rd project with them. They're incredibly talented and creative directors and I can't wait to work with them again."