Chris comments on grading with Mill colourist Mick Vincent, "We wanted a very real grade, one to emphasis the colours without distracting from the natural environment it was shot in. The long shots were hard to shoot due to the difference in light from inside the tent to the very bright dawn light. Mick nailed it, bringing detail back into the shadows to give it an ethereal warm feeling to the inside shots, yet keeping the cold glow through out the outside and surfing shots. There's aways things you'd change on set but with the limited resources we had, we needed Micks expertise in post and the result is stunning."