The Mill worked closely with director Gary Freedman to enhance and add to parts of the 'Facet City', creating CG architectural elements as well as a CG fox.

2D lead artist Richard De Carteret comments, "The main objective for us on Lexus was to augment each plate to mirror the faceted design of the NX. In most cases we took the building that was framed in each scene and changed angles and depth but kept the textures so they were true to the surrounding environment. The production team created a number of faceted elements for the shoot like the snooker table and clothing but in a few cases, like the motorway sign and the tunnel, 90% of the shot was created from scratch. For an added touch we shot our own "faceted"  lens flares to use in certain comps."

3D artist Aidan Gibbons adds, "We worked very closely with the agency and director in designing bespoke faceted architecture for almost all the shots. Our concept team did a lot of paint-overs on still frames and in 3D we modelled and lit their approved designs and integrated them into the shots. The architecture had to strike the balance between complimenting the car design without over powering it. By using captured HDRIs and textures on the shoot, we were able to essentially dress the fronts of the existing buildings and structures in a 3D faceted design, which we then lit and rendered to look completely realistic. The fox was also a creative challenge - the design and animation both had to feel like they matched its faceted habitat."